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ee1f8b9cc0 I play Cuban music."[25] Eventually though, both Machito and Puente embraced the term as a financial necessity.[26][27]. The next Cuban "dance craze" to hit the United States was the chachach. The two bands were the main proponents of NY-style mozambique, drew inspiration from the classic Cuban composers, and Afro-Cuban folkloric rhythms, while pushing the limits of salsa, and incorporating jazz elements. 290. BL Share Anthropology Arts Design Food History Literature Travel . ISBN1-59213-315-0. Clave-neutral tresillo-based tumbao. Ohcun Divinity of rivers, love, feminine beauty, fertility, and art. The chachach originated in the Cuban charanga bands, but was adopted by the horn-based groups in New York.
Hal Leonard Corporation. The Cuban horn section traditionally consists of trumpets, but trombones are frequently used in salsa. Steward, Sue (2000). The Fania team released a string of successful singles, mostly son and plena, performing live after forming the Fania All-Stars. The Congolese called this new music rumba, although it was really based on the son. In this sense salsa has been described as a word with "vivid associations."[14] Cuban and Dominican immigrants and Puerto Rican in New York have used the term analogously to swing or soul music. Bongos. During this same period, Tito Puente changed to performing and recording primarily Latin jazz for the remainder of his career. 189 ^ a b Leymarie, pp.
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