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Judy Crocker (Judy Canova), a hill-billy girl, strikes it rich when an oil company takes an option on her farm. She meets up with two confidence men, J. Huntington McMasters (Richard Lane) and Canada Brown (George McKay) and discovering she can sing, they sell her $3,000 worth of stock in a film called "Louisiana Hayride," which will star her. Arriving in Hollywood, Judy, her mother Maw Crocker (Minerva Urecal) and Jed Crocker (Matt Willis), her gun-totin' brother, find McMasters and Brown living in an expensive hotel. They try to get away but Judy and Jeb catch them. Judy tells them she wants to invest more money, and she agrees to pay them $3,000 a week. However, Judy doesn't know the name of the studio and she makes the rounds. A guard at one studio mistakes her as the singer who was being sent from the casting office and allows her to go in. She does the number and creates a great impression. "Louisiana Hayride" goes into production and, when it is finished, McMasters receives a generous offer for the distribution rights…but things start popping; They find that the plot of the film was stolen, the oil options payments will be stopped and the distributing offer is withdrawn. But not all is lost…the director of the picture in which Judy accidentally appeared signs her to a contract, and the police arrest McMasters and Brown for previous swindles.
Two con men dupe a country bumpkin into giving them all of her money under the pretense that they'll make her a movie star. She and her family eventually track them in Hollywood, still unaware they're being taken. The crooked pair enlist the help of a bellboy posing as a director and arrange for a fake screen test for the girl.
Five years before that other Judy (Garland) sang a barbershop choir version of &quot;Put Your Arms Around Me, Honey&quot; in &quot;In the Good Old Summertime&quot;, that other singin&#39; Judy yodeled it in this Columbia B musical in a way that is just as memorable as Garland&#39;s. She also yodels &quot;Shortnin&#39; Bread&quot; in a manner that Ethel Mae Potter would envy. The film itself is enjoyable fluff, another variation of &quot;The Butter and Egg Man&quot; which had multiple versions at Warner Brothers. Those expecting the song that Nanette Fabray sang in &quot;The Band Wagon&quot;, will be disappointed.<br/><br/>Canova is a motor lodge owner who is conned into turning over $3000 to two fast talking shysters (Richard Lane and Matt Willis) whom she follows to Hollywood in an effort to break into the movies, leading them to rent out offices on poverty row. But utilizing an ambitious bellboy (a very young Ross Hunter in his pre-producing days) puts a con on the con-men, as does the presence of a supposed Broadway investor who begins courting Canova&#39;s Marjorie Main like mother (Minerva Urecal). Hobart Cavanaugh, as Judy&#39;s brother, has a few corny moments doing animal sounds. It&#39;s an entertaining, if somewhat corny, light-hearted musical comedy with a few unresolved issues but plenty of laughs, some great musical numbers (including one Canova sings on a train) and a terrific cast.
Louisiana Hayride finds Judy Canova and her hillbilly family being taken advantage of by a pair of sharpies, Richard Lane and George McKay. They convince the hillbilly thrush they&#39;re a pair of movie producers who are in love with their talent. But in fact they&#39;re in love with the new wealth that this hillbilly family has when they are paid for drilling rights. Sounds like another hillbilly family that made a fortune in oil.<br/><br/>The problem for the conmen is that they have to keep up an expensive front with this particular game, especially when they arrive in Hollywood. Bellboy and future producer himself Ross Hunter recognizes these two grifters for what they are persuades a friend, Lloyd Bridges, to in turn fleece them. Seems like Ross is sweet on that little hillbilly gal.<br/><br/>I was hoping to hear the Arthur Schwartz-Howard Dietz classic from which this film takes its title. I thought it would have been perfect for Canova and her style. Instead Kim Gannon and Walter Kent wrote two songs for Judy to sing, nothing in their that&#39;s Academy Award material.<br/><br/>Minerva Urecal as Judy&#39;s mom and Matt Willis as her shotgun totin&#39; brother are also on the scene. And Hobart Cavanaugh who Minerva gets a little sweet on, proves to be the savior for her family.<br/><br/>Louisiana Hayride despite not having the song used is a pleasant enough film and typical of the roles Judy Canova played. She was a big star in red state America of the day.

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